The American tenor
Edward Randall studied at the Philadelphia Academy of Vocal Arts, before moving to Germany, where he has spent the last fifteen years, giving more than eight hundred
performances in more than forty operas. He owes his outstanding reputation to his ability to master a wide-ranging repertory encompassing such demanding parts as Erik in
Der fliegende
Holländer and the title role in
Les contes d'Hoffmann, in this way attracting the attention of leading European directors and critics. His vast repertory and
extreme versatility have made him a much sought-after visitor to more than a dozen German opera houses in Berlin, Leipzig, Dresden and elsewhere. International engagements have taken him to Venice
as Walther von der Vogelweide in
Tannhäuser, to Seville as Narraboth in
Salome, to Japan as Tamino in
Sakai Opera's prize-winning production
of
Die Zauberflöte and to Knoxville as Siegmund in a concert performance of
Die Walküre with the Knoxville Symphony Orchestra. Other important roles in
his repertory are Max in
Der Freischütz, Don José in
Carmen, Turiddu in
Cavalleria rusticana, Alfredo in
La
traviata and Macduff in
Macbeth.
Edward Randall is also in demand as a concert singer. Among the works with which he is particularly associated are Mendelssohn's
Elijah, St Paul and
Second Symphony (
Lobgesang), as well as countless other Romantic works from the nineteenth and twentieth centuries,
including Dvořák's
Stabat mater and Elgar's
The Dream of Gerontius, a part that he has sung at the Amersham Music Festival in Eton.
He first appeared at the Bayreuth Festival in 2007 as Balthasar Zorn in
Die Meistersinger von Nürnberg and returned for the same role in 2008, as well as in 2009.
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